Nora Kudryashova

Gerucht 2.0 Gerücht Typeface i s a family of digital fonts designed in 2019 by Gabriele Bellanca for Rumors Foundry in three different weights and their corresponding slanted versions. All rights reserved. Gerücht (in English rumor ) is the name of the font-family: today the name of a font is part of the graphic design itself, unlike in the past, where it usually consisted of a simple retrospective description (such as in the case of Gothic Condensed No.2 ) of its characteristics. It's a "one-word advertising slogan", writes Tobias Frere-Jones, which serves to build an idea and a charm to associate with that type of character. Gerucht 2.0 Download Now View Gallery

Cooperative Cooperative is a retro style poster font in Hebrew and Latin. Is based on a printed example of a vintage handmade wood type from the 1950's. This sans serif font is available in both regular and bold versions, with a dirty and grungy styles as well in regular and bold. Cooperative Download Now View Gallery

Download Yoda Fonts Family From MysticalType Yoda is a super-compressed font family with some suitable special characters. Perfect for posters, display copies, headlines, magazine header copies. It comes in 10 weights ranging from extra light to black so it is versatile. The extra lightness can give you great height because of how narrow it is. Download Yoda Fonts Family From MysticalType Download Now View Gallery

Download Romestone Fonts Family From Almarkha Type Introducing our latest collection Romestone, a super bold condensed font family with 4 styles with strong and challenging nuances. Very suitable for titles, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional. Download Romestone Fonts Family From Almarkha Type Download Now View Gallery

Download Oddlini Font Family From sugargliderz Inside my head, there are a number of forms of Sans Serif typefaces, and I cannot put aside any single one of them. Even if they were in the way of the reading process, I still think they form splendid letters. For me, when I hear for example "Sans Serif", then immediately Helvetica comes to my mind, even though I don't think that it is the best Sans Serif out there. Of course it is a great typeface, but I believe that one should not be fixated on the association of Sans Serif = Helvetica. It is just that Sans Serif goes hand in hand with Helvetica after all, and I don't think it is exaggerated to say that everyone throughout the world would agree. In my head there is no conflict about this either, and I readily agree with this thinking. However, just because of that I don't necessarily spend time studying Helvetica in detail and analyzing its subtleties in order to progress